Participants & Projects
This is the list of projects registered for Dox In Vitro . The project list for the seminar is closed now.
You can see the list of projects from the previous editions below.
PROJECTS

DHĀKIRA: THROUGH QASSEM’S EYES (PT)
Production company: Omaja
Producer: Bernardo Lopes
Director: Balolas Carvalho
In 1988, during the First Intifada, a pair of eyes from Gaza appeared on the cover of TIME magazine. The gaze belonged to Qassem: a journalist, member of the resistance, and future founder of Ramattan, Palestine’s first independent television news agency. Decades later, we reconnect with the man behind that iconic image: exiled in Egypt, caught between silence and hope, tending the land as he awaits the moment to return to Gaza to rebuild, for the fifth time, his home and his dream.

HUSTLE (CZ)
Production company: Storylab
Producer: Damian Machaj, Hana Němečková
Director: Damian Machaj
What are we really selling when we sell the dream of freedom? Going undercover into the closed online meetings of Czech MLM companies, journalist Miroslav Harant exposes the recruitment tactics, motivational rhetoric, and group pressure hidden behind the promise of passive income and being your own boss. Through the stories of those who spent years and small fortunes chasing that promise, Hustle traces how a culture born in the post-1989 boom has come to define success for a new generation.

THE INVISIBLE COLORS OF THE SPECTRUM (SK)
Production company: promovie s.r.o.
Producer: Marek Vaňous
Director: Marek Vaňous
When a writer discovers that he is on the autism spectrum, many events from his life finally begin to make sense. What should have been a liberating discovery of his own identity instead becomes another struggle with a world that often fails to understand his differences. The film follows his search for justice after losing not only his book, but also his trust and sense of safety during its publication process. It reveals the everyday reality of living with Asperger’s syndrome – the invisible obstacles, exhaustion, uncertainty and the constant effort required to navigate a society that is not designed for a different perception of the world. It is a story about trust, exploitation, finding one’s own voice, and searching for justice where the law alone cannot provide it.

LULLABIES OF EUROPE (SK)
Production company: ArtSo s.r.o.
Producer: Tomas Sotak
Director: Dušan Rapoš
Lullabies of Europe is a documentary series exploring the disappearing tradition of lullabies across Europe. Each 25-minute episode focuses on one country, uncovering its cultural identity through songs, personal stories, local history and living traditions. The Slovak episode serves as the pilot, demonstrating the format and production model. The long-term vision is to create a pan-European collection of documentaries that preserves Europe’s intangible cultural heritage while building a broadcast-ready international series.

SCREEN KIDS (SK)
Production company: ARINAFILM s.r.o
Producer: Silvia Panáková, Jan Hubáček
Director: Viktória Rampal Dzurenko
Pediatricians Cyril Matějka and Branislav Chrenka witness the epidemic of infant screen addiction daily. Waging a quixotic war, they launch an off-grid digital detox retreat in the Beskydy Mountains. Stripped of phones for ten days, parents and doctors confront fractured relationships. The film reveals a radical truth: to protect children, adults must face their own dependency.

A SPECTRE IS HAUNTING EUROPE (SK)
Production company: filmsomnia
Producer: Alena Kapinajová, Anna Mach Rumanová
Director: Robo Mihály
While Europe commemorates its heroes, protects its borders and rehearses its old traumas, a camera wanders through landscapes of memory, violence and absurdity, searching for what lies beneath the idea of Europe itself. A fragmented journey across a continent haunted by its past and trapped in its present – where Mediterranean shipwrecks, forgotten wars, street revolts and fragile acts of solidarity reveal a society constantly negotiating the limits of its own humanity.

THE SEARCH FOR ITZA (CAT)
Production company: Associació de Periodisme Fora de Quadre
Producer: Marc Serena, Teresa Ruiz, Cristina Mora
Director: Neus Ràfols Garcia
A journalist, Neus, investigates the Nicaraguan exiles arriving in Barcelona to uncover why Sandinism is promoting an authoritarian regime, 46 years after the triumph of its Revolution. In her search, she meets Itza, a young “Nica” refugee who is also marked by her deceased father, a Barcelona native. Trapped by the same question, the two embark on a crucial and emotional journey that takes them to Costa Rica, where the core of the political resistance is currently concentrated.

VEDÚCI'S TREASURES (SK)
Production company: ARINAFILM s.r.o
Producer: Silvia Panáková
Director: Steven Gaborieau
In a garage in Sereď, Slovakia, film reels and projectors fill the space from floor to ceiling: Vladimír’s precious mess. Known to everyone as Vedúci (“the Chief”), he is a retired nuclear plant electrician who got his first strip of film at thirteen and never stopped rescuing what others threw away. His wife Oľga, ready to retire, is pushing for the move: the house is being sold, and there will be no garage in the new flat. What will happen to his collection when no one in the family wants to inherit it? Filmed across three languages between the director, his father-in-law, and his partner, the film follows Vedúci deciding what survives and what his disappearance can still transmit.
ARCHIVE
2025
| Title | Production company, producer, director |
|---|---|
| ! (SK) | PSYCHÉ film, p. Michaela Jeleneková, d. Marek Kuboš |
| BORDERS OF BELONGING (HU) | AE Syndicate and Art Manzard, p.Julia Ubrankovics, d. Julia Ubrankovics |
| BULLET (HU) | Speak Easy Project, p. László Józsa, d. Chip Warren |
| GLORIOUS UTOPIA (SK) | Silverart, p. Tomáš Gič, d. Marek Moučka |
| HOW THE STORY IS TOLD (SK) | Stalker production, p. Jaro Ridzoň, d. Jaro Ridzoň |
| TAKE CARE (SK) | CinePunkt, p. Tereza Tokárová, d. Paula Maľárová |
| THE BIRTH OF A WOMAN (SK) | 3:4, p. Richard Chudý, d. Soňa Nôtová |
| UNDERNEATH THE WAVES (HU) | p. Timea Huszar. d. Daníel Washington |
2024
| Title | Production company, producer, director |
|---|---|
| ANIMALS OF THE EAST (SK) | ADMIRAL FILMS, p. Andrej Kolenčík, d. Anna Ďurišíková, Andrej Kolenčík |
| RAŤAFÁK (WORKING TITLE) (SK) | PROMOVIE, p. Marek Vaňous, d. Marek Vaňous |
| DELETED MOTHER (SK) | ARTACTIVE PRODUCTION, p. Igor Kovács, d. Igor Kovács |
| THE ALICE IN WONDERLAND SYNDROME (FR) | Rétroviseur Productions, p. Gabriela SAWAYA, d. Hannah PAPACEK HARPER |
| SEPTEMBER 27TH (SP) | IZAR FILMS, p. Izaskun Arandia, d. Izaskun Arandia |
| YVONNE BLONDEL (RO) | VENT D’EST FILM, p. SERBAN Ruxandra, d. Enea DABIJA |
| THE FUGITIVE (CZ) | GNOMON Production, p. Jan Bodnár, p. Michal Varga |
2023
| Title | Production company, producer, director |
|---|---|
| AFTER THE STORM (LT) | KETVIRTA VERSIJA, p. Teresa Rožanovska, d. Francesco Rufini |
| DAJORI (CZ) | FILM & SOCIOLOGIE, p. Jan Bodnár, d. Martin Páv, Nicolas Kourek |
| I DON'T KNOW IF THAT MAKES SENSE (IN) | KADHAS, p./d. Anantha Krishnan |
| NEM CÁ, NEM LÁ (PT) | MANILHA FILMES, p./d. Hermano Moreira |
| NEW NEIGHBOURS (SK) | FILMFRAME, p. Zuzana Chadimova, d. Marian Bushan, Adrian Mihalik |
| RAW RENT A WOMB (SK) | STALKER PRODUCTION, p. Veronika Verešová, d. Jaro Ridzoň |
| TOUGH LIFE OF A MUSICIAN (IT) | GRISMEDIO, p./d. Antonio Marenco |
| TSKALTUBO (SK) | SUPER FILM, p. Simona Hrušovská, d. Andrea Kalinová |
2022
| Title | Production company, producer, director |
|---|---|
| ALICE AND THE MIRACLE FROM ABROAD (SK) | RAMAGU FILM, p. Lukáš Marhefka, d. Daniel Dluhý |
| THE FOURTH DOWN ( FR) | Aral Sea Productions, p./d. Pauline Blanchet |
| AN INSTANT OF NON-EXISTENCE (FR) | Retroviseur Productions, p. Dorian BLANC, d. Hannah Papacek Harper |
| BEYOND A KNIT CAP (SK) | VIRUSfilm, p. Vít Janeček, d. Violette Deffontaines |
| LOVE THE GENERALS (CZ) | VIRUSfilm, p./d. Vít Janeček |
| DUST-UP (SK) | StoryLab, p. Lea Podhardská, d. Flóra Monozlai, Creative Producer/Dramaturgist: András Kocsányi |
| WHAT ABOUT PETER? (CZ) | GNOMON Production, p. Jan Bodnár, r. Martin Trabalík |
| PRYVIT EUROPA (IT) | TBA, p./d. Michele Aeillo |
2020
| Title | Production company |
|---|---|
| Andy Warhol From A TO W | ATTACK FILM s.r.o. (SK) |
| A Happy Man | AZYL Production s.r.o. (SK) |
| As Long As I Live | Bright sight pictures (SK) |
| Interiors | Guča s.r.o. (SK) |
| All Good Everywhere | NINJA film s.r.o. (SK) |
| Woman of the New Age | Reminiscencie (SK) |
| My Father's Daughter | Little Bus Production (HU) |
2021
| Title | Production company, producer, director |
|---|---|
| BEAUTIFUL LIES (SK) | Bright Sight Pictures |
| Redhat | Fikirdöküm (AZ), Parvana Rahimova |
| Too Punk To Choose | TBA (DK), p. Line Hvidtfeldt, d. Andrea V. Strøbæk |
| Searching for Pokemon / Looking for Donbas | Minimal movie (UA), p. Roman Blazhan, d. Mikhail Volkov |
| Rito | Rétroviseur productions (FR), p. Dorian Blanc, d. Emilio Belmonte |
| The Last Jewish Wedding | Quetzalcoatl (BE), p. Marc Goyens, d. Thom M Vander Beken |
2018
| Title | Production company |
|---|---|
| The Sailor | Toxpro (SK) |
| Phoenix | Daire Collins (GB) |
| Mauerfall | Dirk Manthey Film (DE) |
| Trash Island | People of hope (SK) |
| Juanto: A Writer From A Country Without Bookstores | Fore De Quadre (ES) |
| The Hole In My Life | XAPF / Amego Film (NL / HU) |
2017
| Title | Production company |
|---|---|
| Ondrej | Bad Idea, o.z. (SK) |
| Remedy | People of hope (SK) |
| For God And Nation | EDIT Studio, s.r.o. (SK) |
| In Search of Special Women | nutprodukcia, s.r.o. (SK) |
| The King of Time | Academy of Performing Arts – FTF VŠMU & Guča, s.r.o. (SK) |
| My Dear Neighbours or Do You Speak Carpatian German? | Reminiscencie (SK) |
2019
| Title | Production company |
|---|---|
| Armageddon in the Living Room | Franckforsten (FI) |
| Engraved in my Memory | Salas Filmworks & Cinema Inútile (ISL-HK) |
| Fake Lies | KaBoGa art & films (ES) |
| Illusion | Kadmedia s.r.o. (SK) |
| Our Neighbours | Mandala Pictures (SK) |
| Ring, Ripples, Ring | NEED MORE s.r.o. (SK) |
| Slovak Women Football | Monika Korenčiová, Katarína Javorská (SK) |
| War of Imagination | co.h (IT) |
2016
2015
| Title | Production company |
|---|---|
| Comrade Girls | Hitchhiker Cinema (SK) |
| Contaminated Future | Frame Film (SK) & Sousa Media (DK) |
| Hi-Jab | The Other End (CZ) |
| Stigma Engerau | Cinefilia (SK) |
| Until I Forget Myself | Bad Idea (SK) |
2014
| Title | Production company |
|---|---|
| Caritas Et Amor | PI "Ironcat" (LT) |
| Girl, Are You Married? | Arreiro Docs Films (SK) |
| Mask, Face of Destiny | Danubestory (SK) |
| Paths | Raddox Studio (CZ) |
| The Late Harvest | iamnewhere Ltd. (HU) |
| The Terezín Gravediggers | 8Heads Productions, Yekot Film (CZ) |
2012
2011
2010
| Title | Production company |
|---|---|
| History Class | Filmpark (SK) |
| Wolf | Arina (SK) |
| The History of a Film Never Shot | TRIGON Production (SK) |
| Corncockle | Piknik Pictures (SK) |
| neXt_generation | Filmdock (SK) |
| Passions | Well.sk (SK) |
| Scraps of Memory | Well.sk (SK) |
| Salto Mortale | Inside Out Media Productions (SK) |